English 3307: Restoration and Eighteenth Century British Literature
Eighteenth Century Literature: Culture in the Marketplace
TR 9:30 -- 10:50
Fall 2013

Course description
How did we get our understanding of what constitutes "great literature"? This course will approach Restoration and eighteenth-century literature by exploring that question. Since the long eighteenth century is arguably the true beginning of the modern, we’ll look at how the idea of what literature was changed over the period. At the beginning of the period, court culture and patronage still largely determined what was literary, but the growing influence of the print marketplace was already beginning to change that. From the interaction between the forces of high culture and the marketplace emerged our construction of "literature." We’ll read a wide range of literary texts from the period that not only illustrate the major themes and movements but also illustrate the varying ways that writers thought about what they were doing. As we study these texts, issues, and ideas, you will develop an understanding of major British literary works of the eighteenth century and the historical and cultural contexts and influences that informed them; the ability to write with clarity, precision, and accuracy and to analyze and interpret literature; and the ability to conduct research carefully and systematically and to incorporate that research into your own interpretations of literature.

Learning Outcomes and Methods of Assessment
By the end of the course, students will be able to identify and and define the common forms and genres of literature written between 1660 and 1800, including but not limited to drama, mock heroic, heroic couplets, periodical essays, satire, and the novel. Students will also be able to identify, define, and discuss major literary movements and issues of the period, such as neoclassicism, sensibility, satire, politics, gender, class, and the consumer marketplace. Students will also be able to identify and discuss some major topics of recent scholarship in the field, including gender, status, the development of print culture and the print marketplace, public and private spheres, among others. Students will also develop their skills in analyzing texts through close readings, in constructing written arguments about literary texts, and in conducting research using library resources and in incorporating that research into their own arguments. These outcomes will be assessed through class discussions, short papers, exams, and research papers.

Required Texts

Required Work
NB: students must complete all assignments in order to pass the course. Consult the detailed handouts for each assignment for specific guidelines.

Short paper (4-7 pp) 20%
Longer (8-10 pp.) researched paper 30%
Proposal and annotated bibliography for researched paper 10%
Midterm exam 15%
Final exam 15%
Participation 10%

Policies

Schedule of Readings and Assignments (subject to change)
Readings can be found in the Longman anthology unless otherwise noted. Readings with the notation "online" will be available online, either as online texts or as password-protected PDFs through the Course Readings page. You must bring these readings to class. For all readings, you are responsible for reading the relevant headnotes and introductions. Note that the amount of reading will vary throughout the semester, but you should be prepared to read around 30 pages per day.

Week 1 M 8/25 Introduction to the course
W 8/27 Dryden: Mac Flecknoe
  F 8/29 Introduction to the Longman Anthology (here's the slide show from class)
Week 2 M 9/1 Labor Day; no class
W 9/3 Dryden:  preface to Fables Ancient and Modern
  F 9/5 Wycherley: The Country Wife through Act 3
Week 3 M 9/8 Wycherley: The Country Wife through end
  W 9/10 Behn: "The Disappointment"; Rochester: "The Imperfect Enjoyment"
  F 9/12 Perspectives: Coterie Writing
Week 4 M 9/14 Rochester: "Against Constancy;" "Song;" "Upon Nothing"
  W 9/16 Rochester: A Satyr Against Reason and Mankind
  F 9/18 Printing demonstration: meet in 307. Wear long pants and closed-toe shoes.
Week 5 M 9/22 Behn: Oroonoko through 2156
  W 9/24 Behn: Oroonoko through end
F 9/26 Astell: Some Reflections Upon Marriage
Week 6 M 9/29 Swift: "A Description of the Morning," "A Description of A City Shower"
  W 10/1 Swift: “Verses on the Death of Dr. Swift” and “The Lady’s Dressing Room”
F 10/3 Pope: An Essay on Criticism
Week 7 M 10/6 Pope: Essay on Man
  W 10/8 Pope: Epistle to a Lady; Leapor: An Essay on Woman
F 10/10 Haywood: Fantomina
Short paper due
Week 8 M 10/13 Gay: The Beggar’s Opera through Act 2, scene 8
  W 10/15 Gay: The Beggar’s Opera through end
F 10/17 Midterm exam
Week 9 T 10/20 Thomson: The Seasons
W 10/22 Young: The Complaint
Paper topics due
F 10/24 Gray: "Ode on a Distant Prospect of Eton College"
Week 10 M 10/27 Gray: "Elegy Written in a Country Churchyard"
  W 10/29 Johnson: Rasselas through ch. 26 (online)
F 10/31 Johnson: Rasselas through end (online)
Week 11 M 11/3 Goldsmith: The Deserted Village
  W 11/5 Sheridan: The School for Scandal through Act III (online at MyLiteratureKit)
F 11/7 Sheridan: The School for Scandal through end (online at MyLiteratureKit)
Week 12 M 11/10 More: "Sensibility" (online)
Proposals and annotated bibliographies due
  W 11/12 Equiano: Interesting Narrative (online)
F 11/14 Austen: Pride and Prejudice through vol. I ch. 11
Week 13 M 11/17 Workshop day: draft of long paper due (2 copies)
Print and bring to class 2 copies of
peer workshop sheet
  W 11/19 Austen: Pride and Prejudice through end of vol. I
  F 11/21 Austen: Pride and Prejudice through vol. II, ch. 11
Week 14 M 11/24 Austen: Pride and Prejudice through vol. III, ch. 2
Long paper due
  W 11/26 Thanksgiving holiday; no class
F 11/28 Thanksgiving holiday; no class
Week 15 M 12/1 Austen: Pride and Prejudice through vol. II, ch. 15
W 12/3 Austen: Pride and Prejudice through end
   
Finals T 12/9 7.30am–10:00am: final exam

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