English 4313: Eighteenth-Century Novels
MWF  10:00 -- 10:50
Spring 2015

Course description
In the early eighteenth century, as the genre of the novel began to grow popular, it was at first considered dangerous and salacious trash; by the end of the century, though, novels were being reviewed in polite critical journals just as much as they were being condemned for their frivolousness. How did this happen? And what defines novels anyway—where did they come from, and how did they get that way? We’ll survey the early history of the British novel in the eighteenth century, and we’ll consider how and why the novel could have been transformed from junk to high art. What qualities do novels have that allow them to straddle such divides? And how did the genre’s development respond to the cultural context of the eighteenth century?

Learning Outcomes and Methods of Assessment
Students completing the course should be able to articulate an understanding of the British novel in the eighteenth century and its historical and cultural contexts. Students should also be able to identify, understand, and discuss some of the major critical statements on the eighteenth-century British novel. Students should also be able to analyze and interpret texts through close readings, construct clear and persuasive written arguments for their interpretations, conduct research carefully and systematically using library resources, and integrate that research into their own arguments. These objectives will be assessed through participation in class discussion, presentations, papers, and exams.

Required Texts

Required Work
NB: students must complete all assignments in order to pass the course. Consult the detailed handouts for each assignment for specific guidelines.

ECCO report 5%
Presentation 10%
Presentation-based paper (5-8 pages) 10%
Research paper (12-15 pages) 25%
Proposal and annotated bibliography for research paper 10%
Midterm exam 15%
Final exam 15%
Participation 10%

Policies

Schedule of Readings and Assignments (subject to change)
Readings with the notation "online" will be available through the Course Readings page, either as online texts or as password-protected PDFs.
You must have the day's assigned readings with you in class
.

Week 1 W 1/14 Introduction to the course
  F 1/16 Oroonoko (1688) pp. 34-66
Week 2 M 1/19 MLK holiday; no class
  W 1/21 Oroonoko pp. 67-100
selected early criticism on romances and novels from Williams, Novel and Romance (Course Readings)
  F 1/25 Incognita (1692) pp. 3-40
Week 3 M 1/26 Incognita pp. 40-78
Presentation 1: Maria Maza
  W 1/28 Robinson Crusoe (1719) pp. 1-60
Watt, Rise of the Novel, ch. 1 (Course Readings)
  F 1/30 Robinson Crusoe pp. 60-120
Presentation 2: Victoria Queneau
Week 4 M 2/2 Robinson Crusoe pp. 120-210
Presentation 3: Christina White
  W 2/4 Robinson Crusoe pp. 210-258
Presentation 4: Aaron Babcock
  F 2/6 Pamela (1740) pp. 1-82
ECCO Report due
Week 5 M 2/9 Pamela pp. 82-198
Warner, “Licensing Pleasure: Literary History and the Novel in Early Modern Britain” (Course Readings)
  W 2/11 Pamela pp. 198-276
Presentation 5: Lia McInerney
  F 2/13 Pamela pp. 276-360
Presentation 6: Crystal Rodriguez
Week 6 M 2/16 Pamela pp. 360-438
Presentation 7: Parker Jensen
  W 2/18 Pamela through end
Presentation 8: Jeannette Moya
  F 2/20 Joseph Andrews through Book I
Presentation 9: Cameron Rzucidlo
Week 7 M 2/23 Joseph Andrews through Book III, ch. 3
McKeon, “Generic Transformation and Social Change: Rethinking the Rise of the Novel” (available via the TTU library)
  W 2/25 Joseph Andrews through Book III, ch. 13
Presentation 10: Celine Fowler
  F 2/27 Joseph Andrews Book IV
Johnson, Rambler 4 (Course Readings)
Week 8 M 3/2 Midterm exam
  W 3/4 Tristram Shandy (1757-67) through vol. I, ch. XXIII
  W 3/6 Tristram Shandy through vol. II
Week 9 M 3/9 Tristram Shandy through end of “Slawkenbergius’s Tale”
Bakhtin, from The Dialogic Imagination (Course Readings)
  W 3/11 Tristram Shandy through vol. IV
Presentation 11: Elizabeth Hash
  F 3/13 Tristram Shandy through vol. V
Presentation 12: Hannah Wilie
    Spring break
Week 10 M 3/23 Tristram Shandy through vol. VII
Presentation 13:
  W 3/25 Tristram Shandy through vol. IX, ch. IV
Presentation 14:
  F 3/27 Tristram Shandy through end
Week 11 M 3/30 The Female American (1767) through vol. I, ch. x
  W 4/1 The Female American through vol. II, ch. v
Hunter, Before Novels, ch. 2 (Course Readings)
  F 4/3 The Female American through end
Presentation 15: Jackson Parks
Week 12 M 4/6 no class
  W 4/8 Evelina (1778) through vol. I, letter xx
Hunter, Before Novels, ch. 2 (Course Readings)
  F 4/10 Evelina through vol. II, letter ii
Presentation 16: Trey Stolp
Week 13 M 4/13 Evelina through vol. II, letter xv
Presentation 17: Dylan Hevron
  W 4/15 Armstrong, excerpts from Desire and Domestic Fiction (Course Readings)
  F 4/17 Evelina through vol. II
Proposals and annotated bibliographies due
Week 14 M 4/20 Evelina through vol. III, letter xvi
Presentation 18: Mark Tijerina
  W 4/22 Evelina through end
Presentation 19: Chad Matthews
  F 4/24 A Sicilian Romance (1790) through ch. III
Week 15 M 4/27 Draft of long paper due for workshop; bring 2 copies of your draft and print 2 copies of the workshop sheet
  W 4/29 Downie, “The Making of the English Novel” (available via the TTU library)
Barbauld, “On the Origin and Progress of Novel Writing” (Course Readings)
  F 5/1 A Sicilian Romance through ch. XI
Presentation 20: Jacob Lewis
Week 16 M 5/4 A Sicilian Romance through end
Research papers due
     
Finals Saturday 5/9 Final exam 10:30 am -- 1:00 pm

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